![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi5iGWODZkkEMe2BHoU-wkei5FipHnmvVcgryNRTs8GNuBfy-DjCBHgbc3ZuHwBecvRHC0DcQVUFCVZ_Pa_wibsw9wbTHwQwLCnWnp-4JaBgqC8UI7kDwLLcXBr88t__sLjJRfJg/s1600/2321+Bill+Viola+01a.jpg)
Bill Viola performing “The Talking Drum”, 1979.
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Bob Bielecki and Bill Viola testing systems for “The Talking Drum”, 1982.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieoZOtALVq-dwNqwSiY8tuMAxUR7DLwJsEV6vzCQkux_jasMlaf9TmMuw2OMYcXp_0DhyrGRulNkS9QssKbow7d729aycfE3Ti_xPLAwVdHpaYAwANYZF01YhPqszPL2tRGDG4kA/s1600/2321+Bill+Viola+03aa.jpg)
Bill Viola testing a gating system for “The Talking Drum”, 1982.
"....
There was a period when I was working exclusively with sound, and my main interest was the science of the acoustic, the behavior of sound in space. I was very interested, for example, in why a blind person can know how big the room is just by clapping or tapping a cane on the ground. […] I distinctly remember feeling that I wanted to see the emptiness of space, to become the space and be extended out into every part of it all at once.
...." (bron: hyperallergic, foto's: Kira Perov)
> Bill Viola
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