atelierlog

woensdag, mei 22, 2013

(advertentie)

Harke Kazemier: Perry Island post, 2013.

Nieuw werk op mijn site

> Harke Kazemier

Gerorge Segal #2

George Segal's studio, 1994. (bron en foto: Sebastian Piras)

Jean Pougny #2

Jean Pougny in his atelier, Paris, 1952. (bron: T for tout, foto: Sabine Weiss)

Jean Pougny, Paris, 1954. (bron: National Portrait Gallery, foto: Ida Kar)

Jean Pougny

Jean Pougny: Femme couchée dans un atelier, 1942-1943.

Jean Pougny: Atelier, 1944-1946. (bron: Centre Pompidou)

dinsdag, mei 21, 2013

Edvard Munch #4

Ekely.

Ekely mit Winteratelier rechts.

Edvard Munchs Winteratelier (Ostwand), wahrscheinlich 1943.

Aus dem Atelier auf Ekely, ca 1931.

Edvard Munch auf Ekely.

Edvard Munch im Freilichtatelier auf Ekely, ca 1933. (bron: Munch 150)

> Munch Museet

David Hockney #6

English artist David Hockney photographed in his rented atelier in the heart of St. Germain, Paris in 1979. (bron en foto's: Derek Hudson)

David Hockney, 1963.

David Hockney, 1973. (bron en foto's: Jorge Lewinski)

Damien Hirst #5

Objects in and around Damien Hirst's studio in Chalford Studio, near Stroud, Gloucestershire, 2010. (bron en foto's: Quintin Lake)

Cy Twombly #3

A view of the artist’s studio in Gaeta, Italy, 2007. (bron: Flash Art, foto: Giorgio Benni)

Cy Twombly #2

Cy Twombly’s studio in Lexington, Virginia, ca 1999. (bron: Fans in a Flashbulb, foto's David Seidner)

Robert Rauschenberg #5

Combine Material in the Fulton St. Studio, 1954. (foto: Cy Twombly)

zaterdag, mei 18, 2013

Jan van Eyck

Het atelier van Jan van Eyck in 1435 volgens het Historium in Brugge. (bron: Exit Magazine)

vrijdag, mei 17, 2013

Katharina Grosse

Atelier van Katharina Grosse, Lehrter Str.57 in Berlin Mitte, door Augustin und Frank Architekten. (bron: Afasia)

> Katharina Grosse
> Augustin und Frank Architekten

Atelier van Thomas Hirschhorn, Aubervilliers, Parijs, 2011.

"Visiting a studio, one often has the secret hope of stumbling upon new artworks, unpublished sketches or abandoned prototypes never shown before. But to visit Hirschhorn’s studio is a whole different ball game in that all it reveals is the work itself. In his practice, there’s no separation between working process and finished artwork. The studio’s inside and outside literally replicate the artist’s production. Visiting the artist’s studio echoes the experience of his exhibitions so strikingly that the two seem to merge. The suburban former factory feels like an organic continuation of the work in every aspect, even the most trivial ones – like the calendar of due dates, which is hand-drawn with same intense and determined style as the artist’s drawings. Hirschhorn’s ‘all-encompassing’ technique mirrors the formal profusion of his urban surroundings and of his own interior moods, which are as nervous and agitated as his edgy neighbourhood." (bron: Catalogue, tekst: Florence Ostende)
Lees verder het artikel in Catalogue voor een uitgebreide beschrijving van atelier en praktijk van Thomas Hirschhorn. (hk)