vrijdag, juni 14, 2019

Takashi Murakami #3






Takashi Murakami's studio, 2017(?). (bron: Garage)












Takashi Murakami's studio. (bron: ideaura, foto's: Konstantin Krylovskiy)




A work in progress model of the Garage exhibition. (foto's: Fumino Osada)


Murakami’s many assistants work in near silence at the studio, which is operated 24/7, in shifts.


Takashi Murakami at his vast studio in an industrial area outside Tokyo, 2017.

"....
Murakami really lives for his art. He literally camps down in his factory-sized studio in Miyoshi, a rather bleak, predominantly industrial area about an hour outside Tokyo. He sleeps there, in a large cardboard box in a corner of one of the rooms. He eats there, often preparing his own simple meals. And, of course, he works there. The studio is in operation 24 hours a day, seven days a week. In the early evening, the night shift takes over from the day shift, and the hectic working schedule runs on.

The studio is remarkably clean and highly organised. Large sheets of cardboard give information about who is on duty, production schedules and deadlines, and changes to artworks. When a dot of black paint has been added to a painting, the painting is photographed. This photograph is then printed out, time-stamped and added to the production board for the artwork so Murakami can go back to previous versions if he chooses. He is constantly making changes and doesn’t like deadlines for wrapping up his art. ‘The deadline of an exhibition used to be my deadline,’ he says. ‘Today, if I am really unhappy about a particular work, I will ask for it to be returned to the studio after the exhibition so I can complete it. If I keep at it for more than two years, however, the galleries and the clients start to become seriously upset, so when their anger reaches tipping point, I deliver the work.’

n lieu of windows, the studio is illuminated by hundreds of fluorescent tubes, making it impossible to tell the time of day. There is also hardly any sound. Staff work assiduously at computers or crouched over paintings. Murakami sits at his table, sketching or making corrections on transparent sheets of vinyl superimposed over printouts of works in progress. From time to time he walks around, with his dog Pom in tow, to check on what’s happening and give orders to assistants.
...."
(bron: Wallpaper*)

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